<?xml version="1.0" encoding="utf-8"?>
<feed xmlns="http://www.w3.org/2005/Atom">
    <title>Picture Start</title>
    <link rel="alternate" type="text/html" href="http://blog.library.temple.edu/fma/" />
    <link rel="self" type="application/atom+xml" href="http://blog.library.temple.edu/fma/atom.xml" />
    <id>tag:blog.library.temple.edu,2008-02-05:/fma//10</id>
    <updated>2008-05-07T11:57:52Z</updated>
    <subtitle>Temple University Libraries&apos; Blog for Film and Media Arts</subtitle>
    <generator uri="http://www.sixapart.com/movabletype/">Movable Type Publishing Platform 4.01</generator>

<entry>
    <title>May 10th 2008 is Pangea Day</title>
    <link rel="alternate" type="text/html" href="http://blog.library.temple.edu/fma/archives/2008/05/may-10th-2008-is-pangea-day.html" />
    <id>tag:blog.library.temple.edu,2008:/fma//10.1538</id>

    <published>2008-05-07T11:50:21Z</published>
    <updated>2008-05-07T11:57:52Z</updated>

    <summary>Pangea Day channel in YouTube &quot;In a world where people are often divided by borders, difference, and conflict, it&apos;s easy to lose sight of what we all have in common. Pangea Day seeks to overcome that – to help people...</summary>
    <author>
        <name>Jenifer Baldwin</name>
        
    </author>
    
        <category term="events" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://blog.library.temple.edu/fma/">
        <![CDATA[<p><a href="http://www.youtube.com/user/pangeaday">Pangea Day channel in YouTube</a></p>

<p>"In a world where people are often divided by borders, difference, and conflict, it's easy to lose sight of what we all have in common. <a href="http://www.pangeaday.org/">Pangea Day</a> seeks to overcome that – to help people see themselves in others – through the power of film."</p>

<p>"On May 10, 2008, live events in Cairo, Kigali, London, Los Angeles, Mumbai, and Rio de Janeiro will be linked to produce a program of powerful films, live music and visionary speakers. The program will be broadcast live to millions of people worldwide through the internet, television, and mobile phones."</p>]]>
        
    </content>
</entry>

<entry>
    <title>New Library Acquisitions Include Harrison&apos;s Reports and Records for 800+ Scripts</title>
    <link rel="alternate" type="text/html" href="http://blog.library.temple.edu/fma/archives/2008/04/check-out-the-list-of.html" />
    <id>tag:blog.library.temple.edu,2008:/fma//10.1522</id>

    <published>2008-04-21T18:24:07Z</published>
    <updated>2008-04-22T14:37:37Z</updated>

    <summary>Check out the list of new film studies books and dvds acquired at Temple Libraries in March. Some highlights: The Paley reference collection is now home to Harrison&apos;s Reports and Film Reviews. This 15 volume set reprints the film reviews...</summary>
    <author>
        <name>Jenifer Baldwin</name>
        
    </author>
    
        <category term="cinema studies" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="libraries and archives" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="resources" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://blog.library.temple.edu/fma/">
        <![CDATA[<p>Check out the list of <a href="http://diamond.temple.edu/search/ftlist%5Ebib21%2C1%2C0%2C752/mode=2">new film studies books and dvds</a> acquired at Temple Libraries in March.</p>

<p>Some highlights:</p>

<p>The Paley reference collection is now home to <a href="http://diamond.temple.edu/search/t?SEARCH=Harrison%27s+reports+and+film+reviews.&sortdropdown=-&searchscope=29">Harrison's Reports and Film Reviews</a>.  This 15 volume set reprints the film reviews and some editorials originally published by P.S. Harrison in Harrison's reports, 1919-1962, with some corrections.  Harrison's reports was a weekly sent out to independent exhibitors.  The reviews and editorials were directed toward independent theater owners to assist them with booking.  Articles in Harrison's take positions on a variety of the concerns of cinema distributors and exhibitors ranging from topics such as censorship to the advent of 3D.</p>

<p>A <a href="http://diamond.temple.edu/search?/tAmerican+film+scripts+online./tamerican+film+scripts+online/-3%2C-1%2C0%2CB/exact&FF=tamerican+film+scripts+online&1%2C568%2C"> large number of scripts</a> now appear in the library catalog now that we've uploaded records for the scripts that are available in the full text online database American Film Scripts Online.  There are currently 823 scripts in the database, ranging from 1903 to 2006. </p>]]>
        
    </content>
</entry>

<entry>
    <title>&quot;Cultural Politics, Women’s Rights, and Recent Tunisian Film&quot;</title>
    <link rel="alternate" type="text/html" href="http://blog.library.temple.edu/fma/archives/2008/04/cultural-politics-womens-right.html" />
    <id>tag:blog.library.temple.edu,2008:/fma//10.1521</id>

    <published>2008-04-21T16:51:36Z</published>
    <updated>2008-04-21T17:10:00Z</updated>

    <summary>On Friday, 25 April 2008 join Temple University&apos;s Suzanne Gauch and Jessica Winegar for a discussion on &quot;Cultural Politics, Women’s Rights, and Recent Tunisian Film.&quot; The event will be held at the Temple University Center City Campus (TUCC), Room 420,...</summary>
    <author>
        <name>Jenifer Baldwin</name>
        
    </author>
    
        <category term="cinema studies" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="events" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://blog.library.temple.edu/fma/">
        <![CDATA[<p>On Friday, 25 April 2008 join Temple University's Suzanne Gauch and Jessica Winegar for a discussion on "Cultural Politics, Women’s Rights, and Recent Tunisian Film."</p>

<p>The event will be held at the Temple University Center City Campus (TUCC), Room 420,  from 5:30-7:00pm</p>

<span class="mt-enclosure mt-enclosure-image"><a href="http://blog.library.temple.edu/fma/images/hacker.jpg"><img alt="hacker.jpg" src="http://blog.library.temple.edu/fma/images/hacker-thumb-250x166.jpg" width="250" height="166" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;"/></a></span>Often highlighting women’s issues, internationally-distributed Tunisian films contribute integrally to Tunisia’s cultural politics both at home and abroad. This talk explores the transnational discourses that enable many recent Tunisian films to promote the post-independence Tunisian government’s exemplary women’s rights record while simultaneously offering a critique of Tunisian society. It further focuses on two recent films, <a href="http://www.imdb.com/title/tt0925307/">VHS Kahloucha</a> and <a href="http://www.imdb.com/title/tt0368595/">Bedwin Hacker</a>, that begin to move beyond entrenched cultural politics to broader criticisms of social, political, and economic policies while simultaneously addressing the lingering Orientalisms that make these same cultural politics possible—and necessary—in the international arena.
<br clear="all">
<a href="http://etc.temple.edu/English/dbpages/people/GauchS.asp">Suzanne Gauch</a> is assistant professor of English at Temple University, where she teaches postcolonial and gender studies. She has recently authored <a href="http://www.upress.umn.edu/Books/G/gauch_liberating.html">Liberating Shahrazad: Feminism, Postcolonialism, and Islam</a> (University of Minnesota Press, 2007) as well as a number of articles on African and Caribbean postcolonial literature, film, and theory.
<br clear="all"><br>
<a href="http://www.temple.edu/anthro/faculty.htm#winegar">Jessica Winegar</a> is assistant professor of Anthropology at Temple University, where she focuses on visual and material culture, the culture industries, nationalism, neoliberalism, social class, gender, value, and the Middle East. Professor Winegar has authored <a href="http://www.sup.org/book.cgi?book_id=5476%205477">Creative Reckonings: The Politics of Art and Culture in Contemporary Egypt</a> (Stanford, 2006) and a number of articles.]]>
        
    </content>
</entry>

<entry>
    <title>Discussion of Global Bollywood: Transnational Travels of the Song-Dance Sequence</title>
    <link rel="alternate" type="text/html" href="http://blog.library.temple.edu/fma/archives/2008/04/discussion-of-global-bollywood.html" />
    <id>tag:blog.library.temple.edu,2008:/fma//10.1510</id>

    <published>2008-04-13T21:22:20Z</published>
    <updated>2008-04-13T21:37:16Z</updated>

    <summary> CULTURE, CAPITAL, AND THE MAKING OF THE NEW INDIA An annual faculty research seminar at Temple University convened by Priya Joshi, Department of English Welcoming Sangita Gopal, University of Oregon Sujata Moorti, Middlebury College Sumita Chakravarty, New School University...</summary>
    <author>
        <name>Jenifer Baldwin</name>
        
    </author>
    
        <category term="cinema studies" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="events" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://blog.library.temple.edu/fma/">
        <![CDATA[<p>	<span class="mt-enclosure mt-enclosure-image"><img alt="51ge9KEoOIL._SS500_.jpg" src="http://blog.library.temple.edu/fma/images/51ge9KEoOIL._SS500_.jpg" width="250" height="250" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;"/></span><div style="text-align: center;">CULTURE, CAPITAL, AND THE MAKING OF THE NEW INDIA<br />
An annual faculty research seminar at Temple University<br />
convened by Priya Joshi, Department of English</div></p>

<p>Welcoming</p>

<ul>
	<li>Sangita Gopal, University of Oregon</li>
<li>Sujata Moorti, Middlebury College</li>
	<li>Sumita Chakravarty, New School University</li>
	<li>Pallabi Chakravorty, Swarthmore College</li>
</ul> 

<p>in a a discussion of Sangita Gopal and Sujata Moorti (eds.) forthcoming publication <em><a href="http://www.upress.umn.edu/Books/G/gopal_global.html">Global Bollywood: Transnational Travels of the Song-Dance Sequence</a></em> (2008). This interdisciplinary collection of essays describes the many roots and routes of the Bollywood song-and-dance spectacle around the world. </p>

<p>Thurs., April 17, 11:40 a.m - 1pm<br />
CHAT Room, 10th floor of Gladfelter Hall<br />
For <a href="http://www.temple.edu/humanities/india/global_bollywood.htm">further information</a>.</p>

<p></p>

<p><br />
</p>]]>
        
    </content>
</entry>

<entry>
    <title>A Modern Cabinet of Curiosities: George Kleine and the Educational Film</title>
    <link rel="alternate" type="text/html" href="http://blog.library.temple.edu/fma/archives/2008/04/a-modern-cabinet-of-curiositie.html" />
    <id>tag:blog.library.temple.edu,2008:/fma//10.1504</id>

    <published>2008-04-04T13:52:14Z</published>
    <updated>2008-04-04T14:17:59Z</updated>

    <summary>Temple&apos;s own Oliver Gaycken will speak on &quot;A Modern Cabinet of Curiosities: George Kleine and the Educational Film&quot; at University of Pennsylvania&apos;s Department of History and Sociology of Science. Spring 2008 Workshop Monday, April 7, 3:30 p.m. Oliver Gaycken, Assistant...</summary>
    <author>
        <name>Jenifer Baldwin</name>
        
    </author>
    
        <category term="cinema studies" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="events" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="libraries and archives" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://blog.library.temple.edu/fma/">
        <![CDATA[<p>Temple's own Oliver Gaycken will speak on <br />
"A Modern Cabinet of Curiosities: George Kleine and the Educational Film" at University of Pennsylvania's Department of History and Sociology of Science.<br />
<br><br />
Spring 2008 Workshop</p>

<p>Monday, April 7, 3:30 p.m.<br />
Oliver Gaycken, Assistant Professor of English and Cinema Studies at Temple University, will speak on cinema, science, and their meeting in the educational film.<br />
The workshop is on Monday from 3:30 pm until 5:15pm in 337 Logan Hall, with refreshments to follow.<br />
All are welcome!</p>]]>
        
    </content>
</entry>

<entry>
    <title>UFVA Fair Use &amp; Free Speech Contest - $500 for best fair use!</title>
    <link rel="alternate" type="text/html" href="http://blog.library.temple.edu/fma/archives/2008/04/httpwwwcenterforsocialmediaorg.html" />
    <id>tag:blog.library.temple.edu,2008:/fma//10.1472</id>

    <published>2008-04-01T14:24:21Z</published>
    <updated>2008-04-01T18:49:09Z</updated>

    <summary>The University Film &amp; Video Association will award a short documentary by a student or faculty member that follows best practices for fair use. Deadline is one month away! See details here....</summary>
    <author>
        <name>Jenifer Baldwin</name>
        
    </author>
    
        <category term="FMA students" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="events" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="media arts" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://blog.library.temple.edu/fma/">
        <![CDATA[<p>The <a href="http://www.ufva.org/">University Film & Video Association</a> will award a short documentary by a student or faculty member that follows best practices for fair use.</p>

<p>Deadline is one month away!  See details <a href="http://www.centerforsocialmedia.org/events/ufva_fair_use_contest/888">here</a>.</p>]]>
        
    </content>
</entry>

<entry>
    <title>Cognitive Science and Theorizing about Moving Images</title>
    <link rel="alternate" type="text/html" href="http://blog.library.temple.edu/fma/archives/2008/03/cognitive-science-and-theorizi.html" />
    <id>tag:blog.library.temple.edu,2008:/fma//10.1474</id>

    <published>2008-03-18T15:19:16Z</published>
    <updated>2008-03-18T18:25:50Z</updated>

    <summary>In a recent post David Bordwell discusses the uses of a cognitive approach to film studies- an approach perhaps codified by the creation of the the Society for Cognitive Studies of the Moving Image in 2006. Bordwell is President of...</summary>
    <author>
        <name>Jenifer Baldwin</name>
        
    </author>
    
        <category term="cinema studies" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="resources" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://blog.library.temple.edu/fma/">
        <![CDATA[<p>In <a href="http://www.davidbordwell.net/blog/?p=2004">a recent post</a> David Bordwell discusses the uses of a cognitive approach to film studies- an approach perhaps codified by the creation of the the <a href="http://www.scsmi-online.org/">Society for Cognitive Studies of the Moving Image</a> in 2006. Bordwell is President of the Society.  His initial statement about two broad approaches to theorizing about film are good food for thought for new researchers such as undergraduates, and point to the particular interdisciplinarity of film studies.  </p>

<blockquote>"There are, roughly, two ways to think about doing film theory. One way is to look at a body of research or reflection in some established area (history, philosophy, psychology, etc.) and ask: What can it tell me about movies? So you might look at Freudian psychoanalysis or Gestalt perceptual psychology as a whole and then home in on ideas that seem to have relevance to cinema.

<p>The other way to do film theory is to look closely at some filmic phenomenon and ask: What’s the best way to understand this aspect of movies? Your reading and thinking might then lead you to adjacent fields of inquiry for help. In the first instance, you start broad and move to particular cases. In the second, you start with particular cases and explore what broader ideas or information can shed light on them."</blockquote></p>

<p>Bordwell goes on to give examples of how ideas from the cognitive sciences can be used to explain how we understand or engage with motion pictures, and how he has seen it as an alternative to the psychoanalytic approach.  I often remind undergraduate students doing library research in cinema studies to look to resources in the social sciences as well as humanities.  There's a wealth of information in research tools like PsycInfo to offer inspiration for fresh approaches at every level of scholarship.<br />
</p>]]>
        
    </content>
</entry>

<entry>
    <title>Retrospective Online Access to Film Journals, pre 1990s</title>
    <link rel="alternate" type="text/html" href="http://blog.library.temple.edu/fma/archives/2008/03/most-research-databases-and-on.html" />
    <id>tag:blog.library.temple.edu,2008:/fma//10.1475</id>

    <published>2008-03-12T18:38:08Z</published>
    <updated>2008-03-12T18:42:14Z</updated>

    <summary>Most research databases and online journal subscriptions cover content from the mid nineties to the present, meaning you have to rely on print copies in the library for earlier issues. Good news - with Temple University Libraries recent subscription to...</summary>
    <author>
        <name>Jenifer Baldwin</name>
        
    </author>
    
        <category term="cinema studies" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="libraries and archives" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="resources" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://blog.library.temple.edu/fma/">
        <![CDATA[<p>Most research databases and online journal subscriptions cover content from the mid nineties to the present, meaning you have to rely on print copies in the library for earlier issues.  Good news - with Temple University Libraries recent subscription to <a href="https://libproxy.temple.edu:2343/login?url=http://pao.chadwyck.com">PAO Periodicals Archive Online</a>, you now have full text access to pre-1990s issues of the following film/media journals.  </p>

<p>Cinema Journal  (formerly Journal of the Society of Cinematologists)  1961-1996<br />
Film and History  1971-1995<br />
Film History 1987-1995<br />
Film Quarterly (formerly Quarterly of Film, Radio, and Television and Hollywood Quarterly) 1945-1957<br />
Framework 1975-1992<br />
Journal of Popular Culture 1967-1991<br />
Journal of Popular Film (and Television) 1972-1978<br />
Literature/Film Quarterly 1973-1993<br />
Monthly Film Bulletin 1934-1991<br />
Sight and Sound 1932-1995<br />
Velvet Light Trap 1973-1995</p>

<p>Access the PAO database <a href="https://libproxy.temple.edu:2343/login?url=http://pao.chadwyck.com">here</a>.<br />
See the full list of journals in this retrospective collection <a href="http://pao.chadwyck.com/journals/listAll.do">here</a>.<br />
To get access to current and more recent journal issues online, look the journal up using <a href="http://vv4kg5gr5v.search.serialssolutions.com/">Journal Finder</a>.</p>]]>
        
    </content>
</entry>

<entry>
    <title>Paramount Offers Film Clips on Web</title>
    <link rel="alternate" type="text/html" href="http://blog.library.temple.edu/fma/archives/2008/03/in-the-new-york-times.html" />
    <id>tag:blog.library.temple.edu,2008:/fma//10.1471</id>

    <published>2008-03-12T14:22:15Z</published>
    <updated>2008-03-12T14:23:43Z</updated>

    <summary>In the New York Times online... Paramount Offers Film Clips on Web By THE ASSOCIATED PRESS Published: March 10, 2008 LOS ANGELES (AP) — Paramount Pictures, a unit of Viacom, will become the first major studio to make clips from...</summary>
    <author>
        <name>Jenifer Baldwin</name>
        
    </author>
    
        <category term="cinema studies" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="resources" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://blog.library.temple.edu/fma/">
        <![CDATA[<p><a href="http://www.nytimes.com/2008/03/10/business/media/10paramount.html?ex=1362888000&en=be3d4800e24858f5&ei=5124&partner=permalink&exprod=permalink">In the New York Times online</a>...</p>

<blockquote>Paramount Offers Film Clips on Web
By THE ASSOCIATED PRESS
Published: March 10, 2008

<p>LOS ANGELES (AP) — Paramount Pictures, a unit of Viacom, will become the first major studio to make clips from thousands of its movies available for use on the Internet.</p>

<p>Paramount is teaming with the Los Angeles-based developer FanRocket to introduce the VooZoo application Monday on Facebook.</p>

<p>The service will give Facebook users access to footage from thousands of movies to send to others on the networking site.</p>

<p>The clips last from a few seconds to several minutes and cover the gamut from Eddie Murphy’s guffaw in “Beverly Hills Cop” to Audrey Hepburn’s pleas over her “no-name slob” cat in “Breakfast at Tiffany’s.”</p>

<p>The studio will market DVDs of the movies after each clip is played, and hopes to use the service to market new releases. </blockquote></p>]]>
        
    </content>
</entry>

<entry>
    <title>Library of Congress Packard Campus for Audio-Visual Conservation</title>
    <link rel="alternate" type="text/html" href="http://blog.library.temple.edu/fma/archives/2008/02/library-of-congress-packard-ca.html" />
    <id>tag:blog.library.temple.edu,2008:/fma//10.1414</id>

    <published>2008-02-19T14:58:41Z</published>
    <updated>2008-02-19T15:15:27Z</updated>

    <summary>&quot;...The Packard Campus of the National Audio-Visual Conservation Center is a state-of-the-art facility where the Library of Congress acquires, preserves and provides access to the world’s largest and most comprehensive collection of films, television programs, radio broadcasts, and sound recordings....</summary>
    <author>
        <name>Jenifer Baldwin</name>
        
    </author>
    
        <category term="libraries and archives" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://blog.library.temple.edu/fma/">
        <![CDATA[<span class="mt-enclosure mt-enclosure-image"><a href="http://blog.library.temple.edu/fma/images/avcon_packard.jpg"><img alt="avcon_packard.jpg" src="http://blog.library.temple.edu/fma/images/avcon_packard-thumb-263x66.jpg" width="263" height="66" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;"/></a></span>"...The <a href="http://www.loc.gov/avconservation/packard/">Packard Campus of the National Audio-Visual Conservation Center</a> is a state-of-the-art facility where the Library of Congress acquires, preserves and provides access to the world’s largest and most comprehensive collection of films, television programs, radio broadcasts, and sound recordings. The Campus has globally unprecedented capabilities and capacities for the preservation reformatting of all audiovisual media formats (including obsolete formats dating back 100 years) and their long-term safekeeping in a petabyte-level digital storage archive. In addition to preserving the collections of the Library, the Packard Campus was also designed to provide similar preservation services for other archives and libraries in both the public and private sector."  The Library of Congress goes on to describe how "the Motion Picture, Broadcasting and Recorded Sound (MBRS) Division reading rooms on Capitol Hill"... "will be linked directly to the Packard Campus and remain the public face of the NAVCC for researchers and patrons....MBRS holds approximately 6.2 million collection items, comprised of 3 million sound recordings, 1.2 million moving image items and 2 million related documents (scripts, copyright records, photos, posters, manuscripts, etc.). Of these, 5.7 million are destined for final storage at Culpeper, a relocation effort that began in January 2006.  By the end of fiscal 2007, nearly 5.2 million of these had been relocated to the 140,000 square foot Collections Building from existing storage facilities in Capitol Hill; Boyers, Pennsylvania; Elkwood, Virginia; and the Landover, Maryland, annex. The collections moved include all 3 million sound recordings, 800,000 moving image items, and 1.4 million related documents. The 500,000 items still to be moved are primarily nitrate film in Dayton, Ohio, and additional moving image items still stored in Boyers and Landover."]]>
        
    </content>
</entry>

<entry>
    <title>Online Access to the Hollywood Creative Directory for TU</title>
    <link rel="alternate" type="text/html" href="http://blog.library.temple.edu/fma/archives/2008/02/online-access-to-the-hollywood.html" />
    <id>tag:blog.library.temple.edu,2008:/fma//10.1411</id>

    <published>2008-02-18T15:36:33Z</published>
    <updated>2008-02-18T15:45:08Z</updated>

    <summary> Temple University Libraries now offer online access! Just visit our list of databases, click on &quot;Hollywood Creative Directory&quot;, then log in with your accessnet login. When you enter the HCD online, be sure to then click on the next...</summary>
    <author>
        <name>Jenifer Baldwin</name>
        
    </author>
    
        <category term="FMA students" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="libraries and archives" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="resources" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://blog.library.temple.edu/fma/">
        <![CDATA[<p> Temple University Libraries now offer online access!  Just visit our <a href="http://library.temple.edu/articles/all/">list of databases</a>, click on "Hollywood Creative Directory", then log in with your accessnet login.  When you enter the HCD online, be sure to then click on the next "login" button that appears in the upper right of the screen.</p>

<blockquote>...Commonly known as "the phone book to Hollywood," the Hollywood Creative Directory offers the most comprehensive, up-to-date information available, listing the names, numbers, addresses and current titles of entertainment professionals from the film, television and music industries. *For twenty years this "insider's guide to the insiders" has been a must-have for anyone seriously considering a career in the entertainment business.</blockquote>
]]>
        
    </content>
</entry>

<entry>
    <title>TU Libraries subscribe to Wholphin</title>
    <link rel="alternate" type="text/html" href="http://blog.library.temple.edu/fma/archives/2008/02/tu-libraries-subscribe-to-whol.html" />
    <id>tag:blog.library.temple.edu,2008:/fma//10.1406</id>

    <published>2008-02-15T17:35:29Z</published>
    <updated>2008-02-15T18:10:02Z</updated>

    <summary>Paley Library now has a subscription to Wholphin, the DVD magazine brought to you by the same folks as McSweeney&apos;s and The Believer. Wholphin is a quarterly publication featuring short documentaries, animation, experimental, narrative, and &quot;and other cinema hybrids that...</summary>
    <author>
        <name>Jenifer Baldwin</name>
        
    </author>
    
        <category term="libraries and archives" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="media arts" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="resources" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://blog.library.temple.edu/fma/">
        <![CDATA[<span class="mt-enclosure mt-enclosure-image"><img alt="wholphin.jpg" src="http://blog.library.temple.edu/fma/images/wholphin.jpg" width="100" height="137" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;"/></span>Paley Library now has a subscription to <a href="http://www.wholphindvd.com/index.php">Wholphin</a>, the DVD magazine brought to you by the same folks as McSweeney's and The Believer. Wholphin is a quarterly publication featuring short documentaries, animation, experimental, narrative, and "and other cinema hybrids that deserve to be seen on very expensive televisions."  Temple students and faculty can check the dvds out at the circulation desk.]]>
        
    </content>
</entry>

<entry>
    <title>Temple MFA student Tom Quinn wins Slamdance Grand Jury Award</title>
    <link rel="alternate" type="text/html" href="http://blog.library.temple.edu/fma/archives/2008/02/temple-mfa-student-tom-quinn-w.html" />
    <id>tag:blog.library.temple.edu,2008:/fma//10.1378</id>

    <published>2008-02-08T13:50:00Z</published>
    <updated>2008-02-08T12:44:03Z</updated>

    <summary>Quinn&apos;s &quot;The New Year Parade&quot; earned him the Slamdance Grand Jury Award for Best Narrative Feature. The prize includes a $15,000 Credit at Filmworksfx, an LP3 Pictures Grip, Electric, and Studio Package ($15,000 value) and $3,500 Credit on legal services...</summary>
    <author>
        <name>Jenifer Baldwin</name>
        
    </author>
    
        <category term="FMA students" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="events" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://blog.library.temple.edu/fma/">
        <![CDATA[<p>Quinn's "<a href="http://www.thenewyearparade.com/">The New Year Parade</a>" earned him the <a href="http://slamdance.openedit.org/festival/festival/pressreleases/2008winnersannounce.html">Slamdance Grand Jury Award</a> for Best Narrative Feature.  The prize includes a $15,000 Credit at Filmworksfx, an LP3 Pictures Grip, Electric, and Studio Package ($15,000 value) and $3,500 Credit on legal services from Pierce Law Group, LLP.  Congratulations!</p>]]>
        
    </content>
</entry>

<entry>
    <title>One Film</title>
    <link rel="alternate" type="text/html" href="http://blog.library.temple.edu/fma/archives/2008/02/one-film.html" />
    <id>tag:blog.library.temple.edu,2008:/fma//10.1385</id>

    <published>2008-02-05T18:06:43Z</published>
    <updated>2008-02-05T18:24:19Z</updated>

    <summary>Companion to the One Book, One Philadelphia project, Spielberg&apos;s Empire of the Sun has been selected for the inaugural run of One Film, One Philadelphia. During the One Film program period, Empire of the Sun will be shown at libraries,...</summary>
    <author>
        <name>Jenifer Baldwin</name>
        
    </author>
    
        <category term="events" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://blog.library.temple.edu/fma/">
        <![CDATA[<p>Companion to the One Book, One Philadelphia project, Spielberg's Empire of the Sun has been selected for the inaugural run of <a href="http://libwww.freelibrary.org/onebook/onefilm08/index.cfm">One Film, One Philadelphia</a>.<br />
<blockquote>During the One Film program period, Empire of the Sun will be shown at libraries, theaters, and schools throughout Philadelphia and the surrounding area. DVD copies of Empire of the Sun will also be available at all Free Library of Philadelphia locations. Additionally, audiences will be encouraged to draw connections between Empire of the Sun and What Is the What—the featured selection of the 2008 One Book, One Philadelphia program—as testimonials of the experiences of children in war zones.  One Film will open with a reception and screening of Empire of the Sun at Moore College of Art and Design on February 21 at 6:00 p.m.</blockquote></p>]]>
        
    </content>
</entry>

<entry>
    <title>Now More Full Text Articles in FIAF and Film &amp; TV Lit Index</title>
    <link rel="alternate" type="text/html" href="http://blog.library.temple.edu/fma/archives/2008/02/now-more-full-text-articles-in.html" />
    <id>tag:blog.library.temple.edu,2008:/fma//10.1257</id>

    <published>2008-02-01T20:42:45Z</published>
    <updated>2008-02-05T18:30:08Z</updated>

    <summary>Temple Libraries has upgraded subscriptions to two essential film studies research databases, adding more full text content online for scholarly and trade publications in film and media studies. FIAF Index to Film Periodicals Plus and Film and Television Literature with...</summary>
    <author>
        <name>Jenifer Baldwin</name>
        
    </author>
    
    
    <content type="html" xml:lang="en" xml:base="http://blog.library.temple.edu/fma/">
        <![CDATA[<p>Temple Libraries has upgraded subscriptions to two essential film studies research databases, adding more full text content online for scholarly and trade publications in film and media studies.  <a href="https://libproxy.temple.edu:2343/login?url=http://fiaf.chadwyck.com/">FIAF Index to Film Periodicals Plus</a> and <a href="https://libproxy.temple.edu:2343/login?url=http://search.ebscohost.com/login.aspx?profile=ehost&defaultdb=f3h">Film and Television Literature with Full Text</a>.</p>]]>
        
    </content>
</entry>

</feed>
